Louise Mott is a graduate of the Guildhall School of Music, Royal College of Music (supported by a Wolfson scholarship) and National Opera Studio (supported by Sybil Tutton and Ralph Vaughan Williams awards) and is continuing her studies with Robert Dean.

Opera roles include Ariodante for English Touring Opera, Fidalma The Secret Marriage and Annina Der Rosenkavalier for Opera North, Bradamante Alcina, ENO, Annio La Clemenza di Tito, WNO, Edith Alfred, Agrippina, Ariodante, Sesto Giulio Cesare, Orlando, Rosmira Partenope, Serse and Dido Dido and Aeneas for The Early Opera Company, God’s Liar (John Casken), Ion (Param Vir) and Marguerite Hey Persephone! (Deidre Gribbin) for Almeida Opera, Emerald Boys and Girls Come Out to Play (Robin Holloway) and Blind Mary The Martyrdom of St Magnus and Penelope in Linen from Smyrna for The Opera Group, Wife/Sphinx/Doreen Greek (Mark-Anthony Turnage) with the London Sinfonietta, and Marlinchen The Juniper Tree (Roderick Watkins) Munich Bienale at the Muffathalle, Munich.

Louise's most recent engagements have included Blind Mary The Martyrdom of St Magnus and Mahler Kindertotenlieder with Hebrides Ensemble at St Magnus Festival, Orkney; Engagements for 2009 included Mme Larina Eugene Onegin for Haddo House Operatic Society; Marcella Alban (Tom Wiggall) at St Albans Abbey; Marcellina Marriage of Figaro for Opera Project and Katarina Schratt Mayerling for The Royal Ballet at The Royal Opera House.
Future engagements include Meg Page Falstaff and Count Orlofsky Die Fledermaus Party Scene for Diva Opera in the UK and on tour in Europe, Pergolesi Stabat Mater and Respighi Il Tramonto at the 2010 Hampstead & Highgate Festival, further performances of Alban at St Alban the Martyr Church, Holborn and Mozartʼs Requiem and Solemn Vespers for the Bach Choir and the OAE at the Royal Festival Hall.

For more information:

• Concert Repertoire
• Opera Repertoire
• Reviews